I went to see the
William Eggleston exhibit at the Whitney Museum yesterday. I like his photographs (if you're a Big Star/Alex Chilton fan you will already be familiar with his work from the
Radio City and
Like Flies on Sherbert album covers), but I was eager to see the video,
Stranded in Canton, that's also part of the exhibit. It's mainly footage
Eggleston shot during the early 70s in Memphis, Mississippi, and Louisiana. And since a good part of it was shot in bars in Memphis, it's mostly
Eggleston's friends rambling drunkenly and lurching toward the camera. In many respects it's not that different than countless scenes you've probably already seen on
Cops (although as far as I know,
Cops has never featured a couple geeks biting the heads off of chickens). I'm not quite sure why I would find this so appealing, but it may be because I prefer watching humans in their most natural state: drunk, dumb, and barely civilized.
Later, while exploring the
Progress exhibit on another floor, I had to chuckle when a well-meaning mom encouraged her young son and daughter to check out
Ammo by Robert
Rauschenberg (the
NY Times described it as a sculpture of "obscurely erotic images of human body parts silk-screened on
plexiglass backlighted by blinking lights"). "Look at the flashing lights," mom said as her kids approached the sculpture. For her sake, I hoped the kids couldn't make out the only images I could: cunnilingus, wide open beaver, and dangling balls mid-coitus.